Creative practice is the living struggle within our capacity to organize. Enclosed by the congelation of ink, paint, and photo-chemical reaction are investigations into separate yet intricately linked philosophical schemas, revealing at each level the kernel of their own shattering, demarcating the rupturing of forms. An attempt is made through each work to introduce abstract coordinate states into gelatinous materials. Painting in this way is a kind of summation, a literal form of grasping at historical determinations, a becoming within the relativity of scale.